174 Royalty-Free Audio Tracks for "Second To Second Sound"

When i first got my olympus ws-310m, i showed it to my little brother who is 18. I hit record and handed it to him. He looked at it for a second and when i told him it was recording, he made this sound. I used my olympus ws-310m for this recording.

A useful little sound to melt two variating parts of your song together. Put this sound on the end of the first part of your song to get a fluid transition to the second part. If you like this sound, you should also check my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy cheers! :).

For this sound, i generated a square wave at a frequency of 440 hz and an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- wahwah with frequency f=1. 5hz , amplitude= 70 %, resonance = 2. 5 and offset frequency = 30%2. Repeat3- compressor (x2)4- fade in (half of the sound)5- fade out ( the other half of the sound)6 - phaser with 10 phases7 - paulstretch with the stretching factor=5 and resolution = 0. 258- echo with 1 second delay , decay factor=0. 59 - cut (to arrange the sound). After all this effects, the sound is like a sound recorded in space with echos.

The "annoying" speed chime, turned world famous drift hero by initial d; as it was intended to be heard by the toyota motor corporation. A common issue with these chimes is that the second impact is muted by the impact rod, this was mitigated in this file by holding the chime with a specific side up. This is marked by the second bell properly ringing out after the second impact. This rendition is a pre-timed, loopable, clean version of the chime, recorded from a real imported 86640-12070 "king kong" (kin-kon) chime. Sound created by attaching a power supply set to 12v ~0. 35a in an amateur studio. Like many of my files, these are completely free to use without even giving credit! :) my only request is you tell me where you use them!. These are also called 「速度警告チャイム」(sokudokeikoku chaimu) meaning "speed warning chime" and colloquially 「キンコンチャイム」 (kinkon chaimu) literally derived from the "kin-kon" sound it makes. Dream　on‼.

To heat a cup of water for instant coffee, one must open and close the door, set the run time and then remove the cup. I spared you the 66 second wait and the sound of the cat scratching in the litter box nearby.

Theme old bombtimer :. Production steps:i record the sound of a book falling on the floor. I copy the sound impact 8 times on the same track. At the end « i fade in closing ». On another track, i copy the first track. I displace this second track on the right with « time shift tool », it creates a shift. I change the pitch of this track with a percent of change of -47. On a third track i take another recording sound of a key knocking on metal. I copy this sound 8 times and put a « fade out » on all the third track. I shift the track to begin at 1sec. Description:this sound look like to an old bomb timber. There is two different sounds one look like a heartbeat and the second a clock ticking. It creates a very stressful sound because of the progressive amplification. The bomb will explode soon and we need to hurry to defuse it. Typologie de schaffer :. Masse: son cannelétimbre harmonique: éclatantgrain: itérationallure: mécaniquedynamique: graduelleprofil mélodique: ascendantprofil de masse: dilatation.

Rain and two cars are crossing the sound field on a desert wet road, first left to right and second right to left, with music from the car. France, nov 2022. Recorded with 2 em 172 in ab setuprecorded on zoom f3wave stereo, 24bits 48khz.

For this sound, i generated a sine wave at a frequency of 440 hz, an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- tremolo2- repeat (x2)3- fade in (half of the sounds)4- fade out (the other half of the sounds)5 -studio fade out6- cut a part7- repeat8- cut to have the song 3 times. After all this effects, the sound is like an alarm.

An interpretation of the classic old-school dreamlike tremolo vibes effect commonly used for dream sequences, flashbacks, and general dramatic impact. Second half speeds up to build tension. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.

So i have these insane neighbors that start trashing their roller blinds from 7:30 pm - 8:30 pm with all their might and power and it's like 30 neighbors doing this day by day. In order for me to therapize myself, i recorded these sounds to work it into a song someday. 3 sounds are that. The 4th sound is my field mic clanking hardly against my ur44 by accident.

Second record of a storm with rain and thunder. Good for background nature scenes. Recorded with jjc sgm-v1. You don't have to credit me anywhere but if you liked this sound effect, please let me know in the comments where you've used it. Thanks!.

Sound is me being gross! setup: mic, into eq, into stereo pedal (used as a signal splitter-- one signal went to one multi effect on a pitch-down setting, the other into a second multi effect on a pitch-up setting. ), into stereo delay (no delay added, though. ) burp. . .

I used for this second sound a pencil, a glass bottle and glasses. I typed with a different rhythm glasses and bottle with the pencil. I have then to make various effects: i changed the tempo and the height, added the effect " graphic " and " delay " then a dissolve in closure.

I did create this sound with cubase daw. It consists of two tracks:grand piano plus changes in studio- and graphic eq plus reverb and chorus. Second track is e-piano plus reverb plus multi delay. Samplerate: 44100 khzplease use it how and for whatever you like, it's free to use.

Two sustained voice samples i subsequently pitch shifted and layered for an ambient work (to achieve an 80's choir pad effect). The key is almost in middle c, but slightly off. . . Because i can't sing. The second, lower voice sample was recorded extremely close to the mic to achieve clipping; i wanted to get a buzzy, boomy sound out of it.

Recording of a courtyard garden fountain in the abbey gardens in bury st edmunds, suffolk. Recorded early on a sunday morning to minimalism unwanted sounds of people!. Recorded using a directional shotgun microphone into a zoom h4 recorder. Wind sock and hpf have been used to reduce rumble. This particular recording was of the second fountain which had a splashier, higher pitch sound. Fairly close and focused on the fountain.

Sound source: https://freesound. Org/people/mafon2/sounds/540633/from mafon2. Second version. Convert to 48khz 32 bit wav. Add 32 splices with reaper. Morphagene high speed forwards (fully cw) morph fully cw. Gene size 12 o'clock. Splices shifted randomly using stepped output from wogglebug. Reverb erbe-verb. Mimeophon karplus strong sequenced by o-contrl random tempo with wogglebug woggle output. X-pan fully engaged this timewant to know more? get in touch.

The sound is a guitar drone. Effects used: light distortion > eq > pitch shifter/harmonizer on multi-effect > delay on a second multi-effect > more delay > vibrato > reverb. ) direct to soundcard, edited w/ compression and fading on the beginning/end to hide "loop clicks". Sound is a bit distorted in parts due to peaking from the reverb (i guess). . . Meant to imitate shoegaze-style guitar drones. . . If i had a proper amp it might sound better!.

The local library has a printer whose noise i thought was quite unique. I forgot to record it the first time, so the second time i checked out books i made sure to record it. There's a little bit of background noise, but it is a public library. [please let me know if you use my sound in anything!! i'd love to hear where it ends up].

I use a screenreader, nvda. I decided to set it to the eti eloquence speech synthesizer and put the voice on the french voice. I then set the inflection to 50 and typed the letters "r" and "h" over and over to make it sound funny when it tries to read it. The first part is the normal voice, the second part i applied ring modulation with lots of lfo effect.

Censorship bleep created in audacity in. Wav format so it's uncompressed and of the highest quality. 30 seconds should be more than enough but if you need more you can loop it. Size: 2. 52mbfile type: wavlength: 30 seconds. You may use this sound in any work commercial and non-commercial without having to link to it.

This sound is a small fragment of "one man rumba" binaural musical recording example uploaded by karl binaural audio (http://www. Kallbinauralaudio. Com) binaural recording - wikipedia page (https://en. Wikipedia. Org/wiki/binaural_recording). I convert the original sound to mono using audacity application. Furthermore, i take the small portion (exactly 5 second length) from the original sound (from 26. 5s to 31. 5s) and give fade-out effect from 31. 1s to 31. 5s.

Wall clock ticking. The sound is a field recording of a german made fauch wall clock. You hear the tick-tock sound of mechanical movement in a quiet room. I used a zoom h4n digital recorder to record the stereo sound. Enjoy. C gillespie sound library.

To create this sound i recorded a disposable lighter in my bedroom. To record, i used my aston spirit microphone on cardioid polar pattern and my focusrite scarlett 18i20 second generation (2nd gen) interface running pro tools from my mac at 48khz, 24 bit. I also used a reflection filter to lower rt60 so this sound has minimal reverb to tape. The cable i used was made of canford hst cable and has neutrik xlr connectors.

During a recent rainstorm, i recorded some water falling off the second story balcony of my apartment building. I tried to hone in on the individual drops landing in a puddle. So this is the close-perspective sound of rain falling in my courtyard. Recorded with: sanken cs-1e, fostex fr2le.

During a recent rainstorm, i recorded some water falling off the second story balcony of my apartment building. I tried to hone in on the individual drops landing in a puddle. So this is the close-perspective sound of rain falling in my courtyard. Recorded with: sanken cs-1e, fostex fr2le.

This sound has 1 purpose. Add deep bass to everything it touches. It may be short, but every aspect was fussed over. Mcbridge played a role in the creation of mcpulse if you need a sub-1 second version. No strings attached. Use this, anything else that i upload stress free. Key: a♭ minoralt key: 1abpm 107.

Cartoon whizz past, or slapstick fling something effect. Free for use anywhere, anyhow, any time. No attribution required. Three instances of the same sound effect. First instance has a rapid left to right pan. Second instance pans right to left. Third instance stays central. Cut 'n' paste whichever one of the three that you like best. Created with ni fm8 and son of a pitch vst inside flstudio 11. 04.

You know that high pitch beep you hear after something super loud, like an explosion? here's a five second effort to reproduce that sound. It fades out towards the end like the person either comes back to themselves or passes out. There's probably some on freesound already but i couldn't find them so i just made my own in audacity.

An edited version of freesound #162268 by eneaszthe intervals between the dog running are removed. It came out surprisingly well. No skipping or clipping or any of that whatsoever. As this is the very second sound effect i've ever uploaded, i could benefit from feedback. I encourage people to rate and comment, and if you use this sound effect for something, don't be afraid to link it in the comments. I'd love to see what people use this for.

Arpeggios in bm key : bm, am5b, g, f#7. Played on acoustic nylon guitar. Melancholic / sad feeling, the second chord has a dissonant flat dominant to give a hint of strangeness to the phrase. Sound capture using internal guitar electronics (godin multiac grand concert duet). Recording device is a tascam gt-r1. Initial sound was stereo with left and light sides 180 degrees out of phase. I converted to mono using audacity. Recorded on the 12-dec-2015 in houston, texas.

This is the unprocessed version of my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Enjoy :).

This is a classic theta brainwave entrainment sound made by two sine waves. The pitch shifts gently to produce some slow variation of the actual speed of the pulse. You can use it as a track and add voice (like relaxation or visualization), or just use as is to promote deep relaxation or trance. The pulses are about 8 hz (cycles per second).

Thunder sound synthesized from a randomly generated tone, and processed (in audacity) with: multivoice chorus, harmonic sythesizer, tons of gverb, 2-second delay, and fade-in/fade-out where appropriate. Again, this is my very first attempt, i'll keep trying to make more realistic samples like this. Until then, tell me if you liked this (rate it, comment).

To create this sound i recorded myself opening a can of coke in my bedroom. To record, i used my aston spirit microphone on cardioid polar pattern and my focusrite scarlett 18i20 second generation (2nd gen) interface running pro tools from my mac at 48khz, 24 bit. I also used a reflection filter to lower rt60 so this sound has minimal reverb to tape. The cable i used was made of canford hst cable and has neutrik xlr connectors.

I created a chip track to which i added a reverbation effect. I copied it and then rendered both onto a new track. Reusing the same sound , i lengthened the tempo and increased the pitch on the second one. I then reused it a few times to imitate the sound of the ball bouncing off the table, speeding up the tempo and adding a fade out effect. Descriptiftypologie selon pierre schaeffer - x"masse: groupe de sonstimbre harmonique:secgrain: lisseallure: pas de vibratodynamique: l'attaque est abrupte.

A horrible sound for a contest, created by paulstretching the sound of an old photo-slide scanner six times, then slowly layering it on top of itself up by a semitone every second and adding reverb. Please comment on where you intend to use the sound, and feel free to post a link to the work where you used it if you want (i enjoy watching/listening to anything you create!). The sound was recorded using a "h1 zoom v2 recorder". Originally edited using audacity and paulstretch on 25th september 2016. Note: audio quality is always better when downloaded.

Here's my second flute reel for the make noise morhpagene. This is how far i've came over the past few months in my playing and despite a few slip ups here and there i'm quite pleased with how i'm able to make it sound now. Would love to hear what people do with these samples as it is quite humbling to know my playing is in people's modular systems across the globe.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

I wanted to create a sound that is scary. I was inspired by sounds for jumpscare sequences in horror movies. So here i generated an audio track and i added a « batterie risset » on it. It gaves a sound that sounds like a bell so i duplicated it 3 times more on 3 different audio tracks. Once done, i accelarated and turn up the volume on the second audio track a bit more compared to the first audio track. I repeated it on the 2 other tracks to give the impression that something is getting closer to us. After that, i generated a new audio track with a tone, i put it on overlap with the forth track and i highly turn up the volume to create a saturation in order to strongly surprise the listener. To finish, i checked that the final mixed track was not saturated, except the sequence i wanted to be saturated, and i exported the sound.

A recording of a shower door, i used this sound through izotope iris 2 to produce a low, slow bassy kick sound, for a pretty ambient piece i did. I don't know why i became fascinated with the shower door. Bathroom time can be surprisingly pensive, so perhaps the sound of the door shunting shut became associated with that introspective space for me. Yes, i am aware that this the second bathroom sound i have shared. This may take on a certain significance given the fact that i have only shared a handful of recordings, but i encourage you not to read too deeply in to this fact.

A second attempt at recording the deep mud i keep finding myself walking through each morning on walthamstow marshes. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics (connected to a bent wire clothes hanger and positioned about 30cm above my feet). Processing: normalize -1. 0db, low cut filter 100hz, minor noise reduction to reduce background traffic/train noise. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

My fifth attempt at a glitch style loop. In order to make the samples used here - most of which are only hundredths of a second long - i took samples from the amen kit, then switch the format from >pcm 22. 050 khz, 8 bit, mono< into >adpcm 11. 025 khz, 4 bit, stereo< then back to >pcm 22. 050 khz, 8 bit, mono< again. I found that if you do this with a sample under 00. 35 seconds long, you get an almost random glitch sound, about. 04 seconds long, that barely sounds like the original sound. I just figured this out, but i'll make note of it; i like some of the effects.

This is part one. I wanted to do an second part whit whisper. . . . Today or next day. So for now. Please let me know if you done something with this or at least a part. I would like to listen them. If you find it useful or you like this, so please give me like!. Thank you!!!!!. Roses.

This is an attempt to create the sound of a high velocity handgun, the five seven by twenty eight milimeter, in which the first shot is normal, just edited for the echo associated with a larger caliber handgun, and second shot is editied slightly to mimick the effect of a "silencer". Recorded with samsung hmx-f90,. 22 magnum fired on private firing range, edited with windows movie maker. Enjoy.

This is a second recording of an hour and 20 minutes always made in the garden of my building in the province of rieti in italy where you can hear various noises such as: cars passing by, people passing by, people greeting me, children's voices, voices of my neighbors and other various noises. This recording was done with my iphone connected to my shure mv88 plus digital stereo microphone.

An amazing 3-second poot with a music-like sound (trumpet). Relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.

During my exchange semester i took a class called "sound and electronics in theater". We had to do an editing project where i had to make a 30 second sample of the sentence “a large monster charged a whole group of people. Many people died, but then one man grabbed a machine gun/knife and gunned down/chopped up the monster. ”i only used sounds from freesound. Org and edited and aranged them with reaper. This is what the result sounds like. (well in this uploaded version i removed the ripped spoken quotes from terminator because they were not from this website here :p). Used sound files:30279_thanvannispen_scream_group_women85847__mwlandi__meat_slap_385849__mwlandi__meat_slap_59429_thanvannispen_women_scream_aaa19312__martian__classic_double_swwosh_22350_studiorat_scream_boom_0127980__erdie__rubbing_metal0133447_dobroide_20070407. Slaughter. 0433568_erh_grod_11_animal_535716_analogchill_scream35984__hardpcm__wood02537822_the_bizniss_beast_breathing40158__sagetyrtle__crash43603__freqman__object_falls_5_48673_sea_fury_monster_2 render 00148673_sea_fury_monster_250724__rutgermuller__footsteps_metallic_muffled_louder_www. Rutgermuller. Nl_58793_syna_max_death_scream66113__spazzo_1493__knife_chop22698_dj_chronos_loop_233629__themfish__bulb_smash55234__slykmrbyches__splattt21324_cdrk_scream_02.

Potable hoover (vacuum as known in the states) powered-on. Portable vacuum cleaner turned on. Short sample which can be looped. Two samples are included, the first is about 30cm away from the microphone and the second is a close-up to the microphone. I would advice using the end of the audio file to apply noise removal however have left this upload of the sound unedited so you can tweak this yourself to find what fits your project best. Noise removal may not be necessary at all depending on how you incorporate the sound. Also to be fair, how do you add noise removal to what is essentially glorified white noise?.